The studio’s first commission came from a local animation festival: a short film about a shy Siberian mouse named “Misha” who discovers a hidden valley of glowing mushrooms. The deadline was tight—six weeks—and the team had to wear many hats.
Avi set up a small recording nook in the attic, where he invited folk musicians from neighboring villages to lay down traditional throat‑singing tracks, which he then blended with electronic textures for the studio’s next project: an interactive game where players guide a mouse through shifting seasons, each with its own soundscape.
A veteran director approached the trio after the screening. “Your work feels like a winter’s night that suddenly turns into spring,” he said, his eyes shining. “You’ve captured the soul of Siberia—its cold, its mystery, its hidden warmth.”
: If their ambition is to reach a global audience, considerations might include translation, cultural adaptation of content, and distribution strategies that cater to international viewers.
The use of AVI (Audio Video Interleave) in their work suggests a focus on video content, possibly a series of animated shorts or a feature-length animation that combines traditional techniques with modern digital tools. This choice of format allows for a wide distribution and accessibility of their work, making it possible for audiences around the world to enjoy the adventures of the Siberian mouse and its companions.